Orhan Pamuk puts his finger on quite a bit in just a few paragraphs:
That said, the drama we see unfolding is not, I think, a grotesque and inscrutable drama peculiar to Turkey; rather, it is an expression of a new global phenomenon that we are only just coming to acknowledge and that we must now begin, however slowly, to address. In recent years, we have witnessed the astounding economic rise of India and China, and in both these countries we have also seen the rapid expansion of the middle class, though I do not think we shall truly understand the people who have been part of this transformation until we have seen their private lives reflected in novels. Whatever you call these new élites—the non-Western bourgeoisie or the enriched bureaucracy—they, like the Westernizing élites in my own country, feel compelled to follow two separate and seemingly incompatible lines of action in order to legitimatize their newly acquired wealth and power. First, they must justify the rapid rise in their fortunes by assuming the idiom and the attitudes of the West; having created a demand for such knowledge, they then take it upon themselves to tutor their countrymen. When the people berate them for ignoring tradition, they respond by brandishing a virulent and intolerant nationalism. The disputes that a Flaubert-like outside observer might call bizarreries may simply be the clashes between these political and economic programs and the cultural aspirations they engender. On the one hand, there is the rush to join the global economy; on the other, the angry nationalism that sees true democracy and freedom of thought as Western inventions.
V. S. Naipaul was one of the first writers to describe the private lives of the ruthless, murderous non-Western ruling élites of the post-colonial era. Last May, in Korea, when I met the great Japanese writer Kenzaburo Oe, I heard that he, too, had been attacked by nationalist extremists after stating that the ugly crimes committed by his country’s armies during the invasions of Korea and China should be openly discussed in Tokyo. The intolerance shown by the Russian state toward the Chechens and other minorities and civil-rights groups, the attacks on freedom of expression by Hindu nationalists in India, and China’s discreet ethnic cleansing of the Uighurs—all are nourished by the same contradictions.
As tomorrow’s novelists prepare to narrate the private lives of the new élites, they are no doubt expecting the West to criticize the limits that their states place on freedom of expression. But these days the lies about the war in Iraq and the reports of secret C.I.A. prisons have so damaged the West’s credibility in Turkey and in other nations that it is more and more difficult for people like me to make the case for true Western democracy in my part of the world.
(Translated, from the Turkish, by Maureen Freely.)
His whole essay about his coming trial in Istanbul is at http://www.newyorker.com/talk/content/articles/051219ta_talk_pamuk
Pamuk ranks with Marias as one of the most important writers of their generation (40 somethings?)
see info on his trial at http://news.bbc.co.uk/2/hi/europe/4527318.stm
